Brass & GlassBrowse vintage

Hasselblad and Konica

11 and 12 researched events on one shared scale. Hasselblad 1841–present, Konica 1873–present.

The axis stretches where either maker has research and collapses where neither does, so a year sits opposite the same year on both. Event counts differ because research depth differs, not because one company did less.

VerticalHorizontalReading

Hasselblad

1841-1936

Fritz Viktor Hasselblad founded F.W. Hasselblad & Co in Gothenburg in 1841 as a general trading company. The family moved into photographic imports in the 1880s and became the Swedish distributor for George Eastman’s products. Hasselblad Fotografiska AB was separated as a dedicated photographic business in 1908. Victor Hasselblad, born in 1906, learned the trade through the family business and international work before opening Victor Foto with Erna Hasselblad in Gothenburg in 1937.

Our Story · Erna Behind the Camera · Victor Hasselblad

1937-1940

Victor Foto processed, copied, and enlarged photographs and developed a camera workshop. Erna Hasselblad was a business partner, board member, and operational figure whose contribution has been understated in older accounts. Swedish Air Force interest in an improved aerial reconnaissance camera gave Victor’s workshop the commission that turned repair and retail experience into camera manufacture.

Our Story · Erna Behind the Camera · Victor Hasselblad

1941-1945

Under the name Ross AB, Victor’s team put the handheld HK-7 aerial camera into serial production in 1941 and followed it with the larger fixed SKa4. Hasselblad’s official history records 240 HK-7 units from 1941 to 1943 and 342 military cameras of all types delivered from 1941 to 1945. Interchangeable magazines and compact mechanical packaging developed for the military work informed the postwar civilian project.

How It All Started: The HK-7

1946-1956

Hasselblad presented its first civilian modular 6×6 single-lens reflex camera in New York on 6 October 1948. Initially called simply the Hasselblad and later named 1600F, it used a focal-plane shutter and interchangeable Kodak lenses, magazines, and viewfinders. Early mechanisms were delicate, and the 1000F followed with a slower top shutter speed and extensive mechanical revisions. The fixed-lens Supreme Wide Angle added a second route into the system through the Zeiss Biogon concept before the 500 series.

A Concise Tabulated History of Hasselblad Camera Models · The First Hasselblad Consumer Camera

1957-1976

The 500C of 1957 replaced the body’s focal-plane shutter with a leaf shutter in each lens, enabling flash synchronization at every speed. Carl Zeiss engineered and manufactured the V-system optics to Hasselblad requirements and also engineered the shutters used in those lenses. The 500C/M, motorized EL cameras, SWC family, and extensive backs and finders expanded the same modular logic. Hasselblad reports about 76,700 500C bodies made from 1957 to 1970.

A Concise Tabulated History of Hasselblad Camera Models · The evolution of Hasselblad lenses · Hasselblad 500 Series

1962-2003

Walter Schirra carried a modified 500C on Mercury-Atlas 8 in 1962. NASA and its contractors progressively altered Hasselblad bodies, magazines, finishes, lubricants, controls, and lenses for Gemini and Apollo. Apollo 11 carried three 500EL cameras; the lunar-surface data camera used a reseau plate and Zeiss Biogon 60mm f/5.6. Hasselblad and the Hasselblad Foundation describe the formal relationship as continuing until 2003.

The Hasselblad Camera · Hasselblad in Space · Astronaut Still Photography During Apollo

1977-1997

Hasselblad returned to focal-plane shutters with the 2000 series in 1977 and refined the idea in the electronically metered 200 series. The 500 line continued alongside it, gaining interchangeable screens, through-the-lens off-the-film flash metering, improved mirrors, and motor-drive options. Ownership passed from Victor and Erna Hasselblad to the investment company Säfveån in the late 1970s, but surviving accounts disagree whether the decisive sale should be dated 1976 or 1978.

A Concise Tabulated History of Hasselblad Camera Models · The Hasselblad Camera

1998-2003

The XPan, introduced in 1998, was a joint Hasselblad-Fujifilm project sold in Japan as the Fujifilm TX-1. It exposed either 24×36mm or 24×65mm frames on the same 35mm film and used dedicated Fujinon-built lenses. In 2002 the jointly developed H1 established a new 6×4.5 autofocus platform for film and digital backs. The H system used an electronic databus and HC lenses made by Fujinon rather than the Zeiss mechanical lens family of the V system.

Development of the FUJIFILM TX-1 Dual-Format Camera · Hasselblad Releases Autofocus 6×4.5cm Camera System · Hasselblad H2 User Manual · Hasselblad XPan

2004-2010

Shriro Sweden, then Hasselblad’s holding company, acquired the Danish scanner and digital-back company Imacon in 2004 and combined the businesses. Imacon founder Christian Poulsen became chief executive. The merger joined Hasselblad’s camera platform to digital backs, Flextight scanners, software, and later integrated H cameras. Hasselblad’s own technical journal described H-lens development as a collaboration: Swedish engineers increasingly shaped optical design and made the shutter and diaphragm assemblies in Gothenburg, while Fujinon refined designs, ground the glass, and completed lens assembly in Japan.

The evolution of Hasselblad lenses · Hasselblad and Imacon Merge to Take on the Professional Digital Market

2011-2016

Ventizz Capital Fund IV acquired Hasselblad in 2011. A 2012 Sony partnership produced the Lunar and related cameras built around Sony platforms, an attempt to enter smaller-format consumer segments through exterior design and materials rather than a new Hasselblad imaging architecture. Hasselblad ended production of the 503CW in 2013, closing manufacture of the classic V-system camera line. DJI acquired a strategic minority stake and a board seat in 2015. The X1D-50c of 2016 then established a compact mirrorless medium-format X system with Swedish-designed XCD leaf-shutter lenses.

Hasselblad Ends the V Series · Hasselblad and Sony in Partnership to Enrich Product Offerings · Hasselblad and DJI Form Strategic Partnership · Hasselblad Set for Growth Under New European Owners · Hasselblad X System Lenses · The First Digital Compact Mirrorless Medium Format Camera

2017–present

Industry reporting in 2017 said DJI had increased its holding to a majority stake, but no public Hasselblad or DJI release located in this research confirms the percentage change. Hasselblad continued the X system, introduced the X2D generation in 2022, and connected current digital capture to legacy bodies through the 907X and CFV backs. Dealer-reported official notice ended new H-system orders in 2023. Victor Hasselblad AB remains the legal entity in Gothenburg and continues to market medium-format cameras and lenses.

Hasselblad Has Discontinued the H-Series Medium Format DSLRs · Hasselblad Privacy Policy · Hasselblad Unveils the 907X & CFV 100C · DJI Acquires Majority Stake in Hasselblad

Konica

Domestic manufacture takes root

1882-1903manufacturing

The company expanded practical manufacturing around photography and lithography, building the skills needed to supply a young Japanese photographic culture. That foundation led to the 1903 Sakura Hakkin photographic paper and Cherry Hand Camera, products that joined the light-sensitive material and the picture-making instrument under one house.

History: 1873-1959 Cameras and Film—The Beginnings / Steps to a Global Company · Replica of Cherry Portable Camera

Cherry opens amateur photography

1903-1929business

The Cherry Hand Camera appeared in 1903 as a branded, mass-produced Japanese camera for amateur use, while Sakura paper anchored the materials side. Konishi Honten broadened the camera range during the following decades, founded a professional photography school in 1923, and introduced Sakura Film for general photography in 1929.

History: 1873-1959 Cameras and Film—The Beginnings / Steps to a Global Company · Systematic Survey on 35 mm High End Camera · Replica of Cherry Portable Camera

Film and education broaden photography

1923-1940manufacturing

The Konishi Professional School of Photography linked the company to photographic education, while Sakura Film brought in-house sensitized-material production to general photographers. The business reorganized as a joint-stock company in 1936 and announced Sakura Natural Color Film in 1940, the first Japanese-made color film in the company's chronology.

History: 1873-1959 Cameras and Film—The Beginnings / Steps to a Global Company · Systematic Survey on 35 mm High End Camera

War disrupts a growing maker

1936-1948corporate

As Konishiroku became an incorporated photographic manufacturer, its prewar Pearl folding cameras shared the range with sensitized materials and optical work. During the war the company developed and produced military aerial cameras. Civilian production resumed afterward, and the Konica I brought the Konica name to a 35mm camera by 1948.

History: 1873-1959 Cameras and Film—The Beginnings / Steps to a Global Company · Systematic Survey on 35 mm High End Camera · Konishiroku Konica I Cs

Konica becomes a camera name

1948-1960system

The fixed-lens Konica I established a durable camera brand within Konishiroku, alongside Pearl folding cameras and other popular formats. Hexar and Hexanon names became closely associated with the firm's lenses. In 1960 the ambitious Konica F carried the company into interchangeable-lens 35mm SLRs with a fast metal focal-plane shutter.

Konica F, record 103310371208 · Optical Products · Systematic Survey on 35 mm High End Camera · Konishiroku Konica I Cs

Konica builds an SLR system

1960-1968system

The Konica F introduced a large lens interface and a vertically travelling metal shutter capable of one two-thousandth of a second, but it was expensive and short-lived. Konishiroku kept developing the idea through later reflex cameras, reaching the Auto-Reflex and then the Autoreflex T, whose open-aperture TTL metering worked with automatic Hexanon lenses.

Konica F, record 103310371208 · Systematic Survey on 35 mm High End Camera · Konica Autoreflex T Instruction Manual

Automatic exposure shapes the AR era

1965-1985engineering

The Auto-Reflex combined a focal-plane shutter, interchangeable lenses and shutter-priority automatic exposure, and could switch between full and half frame. The Autoreflex T moved metering through the lens. Successive AR-mount bodies and Hexanon lenses carried that practical automation into the 1980s before Konica's SLR line wound down.

Systematic Survey on 35 mm High End Camera · Konica Autoreflex T Instruction Manual

Compact cameras automate the snapshot

1974-1977engineering

The C35EF put a pop-up electronic flash into a compact 35mm camera, with Japanese museum records dating its release to December 1974 and the corporate chronology presenting it as a 1975 milestone. In November 1977 the C35AF added passive triangulation autofocus, turning two frequent causes of failed snapshots into camera-managed tasks.

Konica C35AF, record 103310371356 · Konica C35EF, record 103310371333 · History: 1960-1979 Innovative World Firsts / Rapid Growth of Copier Business

Optics move beyond taking lenses

1980-2002engineering

Konica translated camera-lens experience into ultra-precise aspheric plastic optics for compact-disc pickups while continuing photographic work. The Hexar and HEXAR RF kept high-grade 35mm cameras in view, digital Revio models addressed the new market, and camera OEM production grew even as optical components became strategically important.

Annual Report 2001 · History: 1980-2002 Digital Age Impact and New Business Challenges · Optical Products

Konica becomes the corporate name

1987-2003corporate

Konishiroku Photo Industry changed its name to Konica Corporation in 1987 and brought the company's products under the Konica brand. Cameras and films remained visible, but copiers, medical imaging, digital systems and optical components grew in weight. A business-technology partnership with Minolta prepared the ground for their 2003 integration.

Annual Report 2001 · History: 2003 onward — Konica and Minolta Integration · History: 1980-2002 Digital Age Impact and New Business Challenges

Merger ends cameras but carries optics

2003–presentend-of-line

Konica and Minolta integrated management in 2003. Konica Minolta withdrew from cameras in March 2006, transferred part of the digital-SLR assets to Sony, ended film and paper production on a staged schedule, and completed photo-sales withdrawal in 2007. The current successor remains an imaging and optics company, but not an own-brand camera maker.

Konica Minolta, Withdrawal Plan for Camera Business and Photo Business · History: 2003 onward — Konica and Minolta Integration · Optical Products · Company Overview

Read either maker on its own: Hasselblad · Konica